https://glenncarterglass.com Glenn Carter Glass Thu, 02 Jul 2020 15:20:39 +0000 https://glenncarterglass.com en https://glenncarterglass.com/Home Sat, 30 May 2020 15:55:59 +0000 Glenn Carter Glass https://glenncarterglass.com/Home <img width="2725" height="3600" width_o="2725" height_o="3600" data-src="https://freight.cargo.site/t/original/i/573e85ea5f75061cd946f2a7f26b590a84e9d4bf0f4e3fe9b05cb626f419c6bd/St.-James--Paddington--London.-Ukranian-Memorail-window-2020.jpg" data-mid="75240110" border="0" src="https://freight.cargo.site/w/1000/i/573e85ea5f75061cd946f2a7f26b590a84e9d4bf0f4e3fe9b05cb626f419c6bd/St.-James--Paddington--London.-Ukranian-Memorail-window-2020.jpg" /> <img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/622418dbb1500c62b003a1e03820f7c65665da85d9496b4df7f2149fe6241a36/Alverton-Great-Hall--Truro.-Restoration--Conservation-and-Design-2018-20-smalller.jpg" data-mid="75241799" border="0" 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height="1680" width_o="2240" height_o="1680" data-src="https://freight.cargo.site/t/original/i/0e388b6072259a905d93acaa34095b45107a4b1b530b11c5002b507b1f45a287/L1060335.JPG" data-mid="106878256" border="0" src="https://freight.cargo.site/w/1000/i/0e388b6072259a905d93acaa34095b45107a4b1b530b11c5002b507b1f45a287/L1060335.JPG" /> https://glenncarterglass.com/Glenn-Carter Sat, 30 May 2020 15:56:00 +0000 Glenn Carter Glass https://glenncarterglass.com/Glenn-Carter <img width="3072" height="2304" width_o="3072" height_o="2304" data-src="https://freight.cargo.site/t/original/i/2a9e04cc4e8f21098ba7f5839962183823f0882c39827825847599b8c0804bfd/Lens-Canberra-glass-works.JPG" data-mid="76309931" border="0" src="https://freight.cargo.site/w/1000/i/2a9e04cc4e8f21098ba7f5839962183823f0882c39827825847599b8c0804bfd/Lens-Canberra-glass-works.JPG" /> ABOUT THE ARTIST Glenn Carter is a stained glass artist based in the UK. His work is installed in churches across the country. Further glass works are in the collections of Northlands Glass (Caithness), The Applied Arts Museum, (Tallinn) &nbsp;the Rijksmuseum (Amsterdam) and The Box, Plymouth (UK). He holds an MVA in Glass from the Australian National University and has taught in the Faculty of Plymouth School of Art and Lincoln University. He has also been a visiting tutor at Pilchuck Glass, Seattle, WA, Urban Glass, Brooklyn, NY USA, Uarts, PAFA, and Tyler Schools of Art, Philadelphia and RIT, Rochester Institute of Technology, NY, USA. https://glenncarterglass.com/Restoration Thu, 02 Jul 2020 15:02:47 +0000 Glenn Carter Glass https://glenncarterglass.com/Restoration RESTORATION Glenn has completed a considerable number of restoration projects across the UK. These have taken place on a wide range of churches and domestic buildings spanning the 13th-21st centuries. These projects include a broad range of painted glass restorations utilising selective restoration procedures, glazing options and installation. The studio has also undertaken numerous plain glazing and quarried leaded light scheme of works, including ventilation solutions. From 1995-2000 Glenn was part of the conservation and restoration department of Lincoln Cathedral Workshops, working on the highly prestigious 13th century Deans Eye window. This gave him a thorough grounding in accessing and developing an ethical and considered approach to conserving and restoring historic stained glass. This experience continues to inform and consolidate Glenn’s practice to this day. <img width="1681" height="1294" width_o="1681" height_o="1294" data-src="https://freight.cargo.site/t/original/i/9cf6d0d6eaa08f018b03787cfc91cfe1642541ff1f0d5650d722e74955ce2916/L1002491.jpg" data-mid="106078579" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/9cf6d0d6eaa08f018b03787cfc91cfe1642541ff1f0d5650d722e74955ce2916/L1002491.jpg" /><img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/5170b917e31f248a43015cabc3b18b2bc01c94401cbeee6e0807988ef9bf2b4d/Deans-eye-relead.001.jpeg" data-mid="106106287" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5170b917e31f248a43015cabc3b18b2bc01c94401cbeee6e0807988ef9bf2b4d/Deans-eye-relead.001.jpeg" /> <img width="1680" height="2240" width_o="1680" height_o="2240" data-src="https://freight.cargo.site/t/original/i/f8e83677436147bc5d6ff2d1528c092fa30eb007f74c0355b876d2c783a5b873/L1060217.JPG" data-mid="106882993" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f8e83677436147bc5d6ff2d1528c092fa30eb007f74c0355b876d2c783a5b873/L1060217.JPG" /> <img width="772" height="2752" width_o="772" height_o="2752" data-src="https://freight.cargo.site/t/original/i/847415435853a2a720206edec92de8626921af7818a5e49ff2c9bcf6105c9bd4/L1002582.jpg" data-mid="105842370" border="0" data-scale="82" src="https://freight.cargo.site/w/772/i/847415435853a2a720206edec92de8626921af7818a5e49ff2c9bcf6105c9bd4/L1002582.jpg" /> https://glenncarterglass.com/Commissions Thu, 02 Jul 2020 15:20:37 +0000 Glenn Carter Glass https://glenncarterglass.com/Commissions commissions These images reflect a sample of a body of work commissioned for both religious and domestic buildings and exhibitions. An essential element of this work is a strong personal narrative and symbolism, developed through consultation with the comissioner. Each project contains a specific message and liturgy. These windows and glass pieces are collaborations, celebrations and enhancements of life, subject and narrative.&nbsp;<img width="5952" height="3968" width_o="5952" height_o="3968" data-src="https://freight.cargo.site/t/original/i/183d6275542ab9082d9c7f07c1f744122895a2eae80ac001a02f4be4fdcc5e39/L1002967.JPG" data-mid="105976384" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/183d6275542ab9082d9c7f07c1f744122895a2eae80ac001a02f4be4fdcc5e39/L1002967.JPG" /><img width="1132" height="1365" width_o="1132" height_o="1365" data-src="https://freight.cargo.site/t/original/i/5014582f18d3a16780158ead644455906bd52ead8add320c9fe41d0e309d64ee/-Lens-2010-1mtr-dia.jpg" data-mid="106285428" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/5014582f18d3a16780158ead644455906bd52ead8add320c9fe41d0e309d64ee/-Lens-2010-1mtr-dia.jpg" /> <img width="2240" height="1680" width_o="2240" height_o="1680" data-src="https://freight.cargo.site/t/original/i/b191045662bf5e59a07084e5b0d294df35cc98f470210253b636efa2fd22bf09/L1060363.JPG" data-mid="127617591" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/b191045662bf5e59a07084e5b0d294df35cc98f470210253b636efa2fd22bf09/L1060363.JPG" /><img width="1164" height="1982" width_o="1164" height_o="1982" data-src="https://freight.cargo.site/t/original/i/8147f8fb9cc9e3eff3e4fcc1821826786656f952201e1172ec5d7625d7625f09/St.-Oswald-s-Church--Strubby--Lincolnshire.-painted--stained-and-leaded-glass.-Glenn-Carter.-2012.jpg" data-mid="105993189" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/8147f8fb9cc9e3eff3e4fcc1821826786656f952201e1172ec5d7625d7625f09/St.-Oswald-s-Church--Strubby--Lincolnshire.-painted--stained-and-leaded-glass.-Glenn-Carter.-2012.jpg" /><img width="976" height="1624" width_o="976" height_o="1624" data-src="https://freight.cargo.site/t/original/i/636df717d9d64243d1edd5378ad858fcbf2d486ce9839517fc058ab327964a15/07-2.jpg" data-mid="105974020" border="0" data-scale="67" src="https://freight.cargo.site/w/976/i/636df717d9d64243d1edd5378ad858fcbf2d486ce9839517fc058ab327964a15/07-2.jpg" /> “Stained glass windows are amongst the few objects that cast no shadow. Instead, they radiate coloured light, transforming a space into an illuminated area, a place in which enlightenment is potentially more than a metaphor. Historically, the most sublime windows, secular and religious, are examples of light becoming an opportunity for contemplation and transformation from darkness to light. Stained glass is reminiscent of music and it’s impact is felt profoundly.” Glenn Carter <img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/5a161dd8c3a07e63181535ba4af3e429964faf65fb1b26dfdd1ccd8dc8a20044/Lens-reflection2.jpg" data-mid="127617789" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/5a161dd8c3a07e63181535ba4af3e429964faf65fb1b26dfdd1ccd8dc8a20044/Lens-reflection2.jpg" /><img width="2020" height="3000" width_o="2020" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ebdd26913b62a6f87dd8e0bc8663f75f546263edcfb72dbb0514b157c634fdf2/Holy-Trinity--Old-Clee--South-Humberside.-painted--stained-and-leaded-glass.-Glenn-Carter.-2001-copy.jpg" data-mid="105993167" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/ebdd26913b62a6f87dd8e0bc8663f75f546263edcfb72dbb0514b157c634fdf2/Holy-Trinity--Old-Clee--South-Humberside.-painted--stained-and-leaded-glass.-Glenn-Carter.-2001-copy.jpg" /> https://glenncarterglass.com/Cast-Glass Thu, 02 Jul 2020 15:20:39 +0000 Glenn Carter Glass https://glenncarterglass.com/Cast-Glass CAST GLASS The studio’s cast glass centres around a period of MVA study which was undertaken at the Australian National University 2009-10. It develops a continuing body of work which explores glass forms inspired by architecture, landscape and linked by drawing.&nbsp; <img width="2240" height="1680" width_o="2240" height_o="1680" data-src="https://freight.cargo.site/t/original/i/f025c35b6be3fda8bb36f12e759ed0c81d627556a46a71d483e0e879bc79dedf/L1060230.JPG" data-mid="106883366" border="0" src="https://freight.cargo.site/w/1000/i/f025c35b6be3fda8bb36f12e759ed0c81d627556a46a71d483e0e879bc79dedf/L1060230.JPG" /> <img width="3000" height="1993" width_o="3000" height_o="1993" data-src="https://freight.cargo.site/t/original/i/870c457ebd37880041b13f5871be22973807cf895a6166f936dd57ad7fbe35e0/GlennCarterSpartina.jpg" data-mid="127618211" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/870c457ebd37880041b13f5871be22973807cf895a6166f936dd57ad7fbe35e0/GlennCarterSpartina.jpg" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a46422dd6dfa0e5c298a7e52b96e4c0950248838fcd2b8422dc2326591df5a53/IMG_8496.JPG" data-mid="106883299" border="0" src="https://freight.cargo.site/w/800/i/a46422dd6dfa0e5c298a7e52b96e4c0950248838fcd2b8422dc2326591df5a53/IMG_8496.JPG" /><img width="1491" height="1120" width_o="1491" height_o="1120" data-src="https://freight.cargo.site/t/original/i/2e4f89853ee7bc13f596ffb028d585060dbaa3187a08dd72bb85f61c9906d2f6/Glen_Carter_glass_2-10_04.jpg" data-mid="127618206" border="0" src="https://freight.cargo.site/w/1000/i/2e4f89853ee7bc13f596ffb028d585060dbaa3187a08dd72bb85f61c9906d2f6/Glen_Carter_glass_2-10_04.jpg" /> <img width="2240" height="1680" width_o="2240" height_o="1680" data-src="https://freight.cargo.site/t/original/i/69966489047fee491fec89443d29950d8ec4652275c65c77447a2fe75e6daec5/-1.jpg" data-mid="105872452" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/69966489047fee491fec89443d29950d8ec4652275c65c77447a2fe75e6daec5/-1.jpg" /><img width="1823" height="1325" width_o="1823" height_o="1325" data-src="https://freight.cargo.site/t/original/i/37b2c41c553b8cf8248188d8b1517549aaa87a5438c2be813c9bc30317b6cdea/Painting-Stain-1..JPG" data-mid="127618204" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/37b2c41c553b8cf8248188d8b1517549aaa87a5438c2be813c9bc30317b6cdea/Painting-Stain-1..JPG" /><img width="563" height="538" width_o="563" height_o="538" data-src="https://freight.cargo.site/t/original/i/8b4bcf4620e610acb970014bd64771da00899e622dcb512d81794a44684e850c/7.jpg" data-mid="127618209" border="0" data-scale="85" src="https://freight.cargo.site/w/563/i/8b4bcf4620e610acb970014bd64771da00899e622dcb512d81794a44684e850c/7.jpg" /> https://glenncarterglass.com/CV Sat, 30 May 2020 15:56:00 +0000 Glenn Carter Glass https://glenncarterglass.com/CV CVContact Contact: +447790095199 glenncarterglass@gmail.com︎glenncarterglassResidencies, Grants &amp; Awards 2009 Northcote Scholarship-John Menzies Centre, Kings College, London. 2008 Trade South West research grant. USA. 2007 Bullseye glass forum, Northlands Creative Glass Caithness, Scotland.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 2007&nbsp;Creative Skills, Cornwall. Professional Development Award. &nbsp; &nbsp; 2006 October-December Gilbenkian cold glass/casting residency at Northlands Creative Glass. Lybster, Caithness, Scotland. 2005 ACE award as visiting artist at the Glass Department of the Australian National University, Canberra and attendance at the GAS(Glass Arts Society) Conference in Adelaide, NSW Australia. 1997 Eastern Arts(ACE)artists development fund award. 1985 Eastern Arts award(ACE) workshop establishment grant. 1984 (ACE)Lincolnshire and Humberside Arts training award with glassmaker Brian Blanthorn.Commissions 2021 Alverton Great Hall, Truro, Lincolnshire. Restoration/design for south facing window. 2020 St. James, Paddngton, London. Canadian Ukranian Memorial Window, North facing two light window.2020 Alverton Great Hall, Truro, Lincolnshire. Restoration/design for south facing window. 2019 St./ Peter’s, Woodhall Spa, Lincolnshire. Arnhem Memorial Window. Single light north facing window. 2016 St. Mawnan, Mawnan Smith, Cornwall. Bridget Trout Memorial window. Two light south facing window. 2012 St. Oswalds, Stubby, Lincolnshire. Farrow Family window. Three light east window, &nbsp; 2012&nbsp;St. Paul’s Spalding, Lincolnshire. Evelyn King.Single light south facing&nbsp; memorial window, 2010 Lens. Collection of Plymouth City Museum and Art Gallery, (BOX) Plymouth, Devon. 2006 RAF Cramwell, Lincolnshire, Station Badge/Officers Mess. 2006&nbsp;Station Badge, Dunston, Lincolnshire. 2006&nbsp;St. Denys, Sleaford, Lincolnshire.Yvonne Double Memorial Window. Four light south facing,. 2005 St.Peter’s, Saltfleetby, Lincolnshire. Mary Allott Memorial Window. Two light north window.&nbsp; &nbsp; &nbsp; &nbsp; 2005&nbsp;St.Stephens, Chatham, Kent. 900th Anniversary Window. 2004 St. Luke’s, Grayshott, Hampshire. Three light centenary window. &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Newlyn, Cornwall. Internal cottage window. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; 2004&nbsp;All Saints, Ruskington, Lincolnshire. West facing tower Tower Screen. 2004&nbsp;St.Peter’s, Woodhall Spa, Lincolnshire. Peter as the Fisherman Memorial window. 2003 Holy Cross, Boultham. Swan of Saint Hugh Five light east window. Lincoln. 2003&nbsp;St. Denis, Silk Willoughby, Lincolnshire. Jubilee Window Two light.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 2002 St. Nicholas Church, Skirbeck, Lincolnshire. Barkham Family two light west facing window. 2002&nbsp;All Saints, Eagle, Lincolnshire. Resurgam, Single light vestry window.&nbsp; 2002&nbsp;St. Mary and St. John, Church, Hinxton, Cambridgeshire. Per Maris Stella. West facing quatrefoil. Centenary Window. 2002&nbsp;St. Nicholas Church, Skirbeck, Lincolnshire. North facing two light window. 2001 Holy Trinity, Old Clee, South Humberside. Peggy Patston Memorial Window. Single south facing window.&nbsp; 2001&nbsp;St.Matthew, Sutton Bridge, Lincolnshire. Repent and Be Baptised, three light west facing south aisle&nbsp; &nbsp; window. 2001&nbsp;St.Matthew, Sutton Bridge, Lincolnshire.The Dawning of the Millennium, three light west facing north aisle window.&nbsp; 2001&nbsp;St Laurence Church, Surfleet, Lincolnshire.Three light millennium east window. 2000 St Mary and the Virgin, Masham, North Yorkshire. Millennium Window for Two light north aisle, 1999 All Saints Church, Lincolnshire. &nbsp; 1999&nbsp;Polish Airmen Memorial Window. Two light north aisle window for &nbsp; &nbsp; &nbsp; 1999&nbsp;John Crust Memorial Window. Two light south aisle window for Croyland Abbey, Lincolnshire. 1998 Domestic window for Holly House, Newport, Lincoln. 1997&nbsp; Peter Williams Memorial Window. Three light west facing window. St Adewold Church, Alvingham, Lincolnshire. 1996 Fourteen Stations of the Cross, St. Mary and St. Gabriel Church, Binbrook, Lincolnshire. &nbsp; &nbsp; 1994 St Nicholas, Haxey, Lincolnshire. Music of Heaven. Ten tracery lights, east facing, north chapel. 1994 Ingoldmells, Lincolnshire. Decorative bar back and wall mounted screens for holiday centre, &nbsp; &nbsp;&nbsp; 1992 County Hospital, Lincoln. Decorative screen for the Chapel of the 1991 Newstead Abbey, Nottinghamshire. Two light south facing window for &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; St.Giles Methodist Hall, Lincoln. Acid etched skylight window. 1991&nbsp;St. Mary Magdalene, Rothwell, Lincolnshire Sir Joseph Nickerson Window. Two light south facing window. 1990 All Saints, Swanton Morley, Norfolk. 50th Anniversary Window. 1990&nbsp;St. Wulframs School, Grantham, Lincolnshire. Three light north facing chancel window at 1989. Nicholas Peacock Memorial Window. Single window. 1990&nbsp;St Bartholomew’s, Great Gransden, Huntingdonshire. 405 Royal Canadian Squadron Memorial. Window. Three light south facing window. 1988&nbsp; St Margaret’s, Hemingby, Lincolnshire. Frank Read Memorial Window. Two light west facing window. Screen for Damon’s Restaurant, (Sam Scorer Architects) Lincolnshire. &nbsp; &nbsp; &nbsp;&nbsp; 1988&nbsp;R.A.F. Binbrook. Two light north facing window. St. Mary and St. Gabriel, Binbrook, Lincolnshire. &nbsp; 1988&nbsp;Lincolnshire and Humberside Arts, Commission for two autonomous Panels. Teaching&nbsp; 2020 Presentation and Critical workshop, February, RIT, (Rochester Institute of Technology). NY. USA 2019 Workshop July-August, Pilchuck Glass Workshops, Seattle, USA 2019&nbsp;Visiting Artist. PAFA (Pennsylvania Academy of the Fine Arts) 2018&nbsp; Workshop January ‘Assemble’ Urban Glass, Brooklyn, New York. USA 2017 Workshop August ‘Assemble’ Urban Glass, Brooklyn New York. USA 2012-18 Lecturer in Glass. BA Design Crafts Plymouth College of Art. 2013 August –September&nbsp;Technical Assistant, Deborah Cocks masterclass, Northlands Creative Glass, Lybster, Caithness, Scotland. 2010-11 Visiting Lecturer Plymouth College of Art. 2010-11&nbsp;Visiting Artist University of the Arts, Philadelphia. USA 2007 September&nbsp;Technical Assistant, Judith Scheachter, Masterclass, Northlands Creative Glass, Lybster, Caithness, Scotland. 2007&nbsp;Visiting Lecturer, Applied Arts Employment Seminar. Plymouth College of Art and Design. 2003 Module leader, Professional Development Strategies, BA Contemporary Decorative Crafts. Visiting lecturer AVCE program, University of Lincoln. 2000 Module leader, Glass, School of Art, Design and Architecture, University of Lincoln. 1997-2000 BA Contemporary Decorative Crafts, Module leader in glass and mold-making, De Montfort University, Lincoln. 1998&nbsp; Visiting lecturer BA Crafts, Carmarthenshire College of Art. 1997 BTEC ND, Design; Styling for Media, Fashion and Theatre, De Montfort University, Lincolnshire. 1997&nbsp;Vocational Arts Network mentoring scheme, De Montfort University, Lincoln. 1996-2000 Stained glass restorer at the Lincoln Cathedral workshops. This role included working on the prestigious restoration and conversation of the C13 Deans Eye Rose window. 1996 Visiting lecturer BA Design Crafts, Stained Glass, Nottingham Trent University. 1994-1996 BA, HND and OND tutor in mouldmaking, conservation and restoration studies, De Montfort University, Lincoln. 1982-1996 Technican3DCeramics Department, Lincoln College of Art and Design. Other Employment 1996-2000. Stained glass restorer at Lincoln Cathedral’s Conservation workshops. This role included working on the prestigious restoration and conversation of the C13 Deans Eye Rose window. Education 2009-10 MFA. Glass. Australian National University, Canberra, Australia. 2001-02 C&amp;G 730, Fento pts 1-2, Teaching Certificate. 1974-77 Diploma in Graphic Design, Portsmouth College of Art and Design. Public Collections&nbsp; Plymouth City Museum and Art Gallery, Plymouth UK. Estonian Museum of Applied Arts, Tallinn, Estonia. Northlands Glass, Caithness, Scotland. Rikjsmuseum, Amsterdam. Solo &amp; Group Exhibitions 2015 May. ‘Live Make’. Lincolnshire College of Art. 2012 June-September. High Cross House, National Trust/Dartington Estate, Devon. 2011 ‘Lens’, commission for Plymouth City Museum and Art Gallery, Plymouth, Devon. 2010 January –February. Canberra School of Art, Australian National University,&nbsp; ACT.&nbsp; Australia. 2010 National Student Art Glass Prize Art . Wagga Wagga, NSW, Australia. 2008-2007&nbsp;Wexler Gallery, Philadelphia, USA. 2007&nbsp;Flameworks, Plymouth, Devon. 2006 Northlands, Lybster, Caithness, Scotland. 2001 ‘Open Air Sculpture Show’. Cirencester, Gloucestershire. 2000 Southwark Cathedral Library Exhibition. (Touring Southwark Cathedral, Ely Cathedral, Gloucester Cathedral and Kings Manor, York). &nbsp; &nbsp;&nbsp; 1999 Xu Gallery, Leamington Spa. 1999&nbsp;Workplace Southwark Bridge, London. 1999&nbsp;Dialoggica Notting Hill London. &nbsp; 1999&nbsp;Ideal Home Exhibition Olympia, London. 1999&nbsp;Intohome Art as Furnishing” NEC Birmingham. 1998 ‘Contemporary Crafts Network’. Usher Gallery, Lincoln. &nbsp; &nbsp; 1998&nbsp;‘Contemporary Crafts Network’, Archangelsk, Russia. &nbsp; &nbsp; &nbsp; 1997 ‘Open Air Sculpture Show’, Quenington, Gloucestershire. &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1995 ‘Forth, Tyne, Dogger’.&nbsp;Artists Who Draw their Inspiration From the Sea, Brewery Arts, Cirencester, Gloucestershire. &nbsp; 1995&nbsp;Inaugural Exhibition of the York Art Workers Guild. 1995&nbsp;‘Recent Acquisitions’, Applied Arts Museum, Tallinn, Estonia. 1995&nbsp;‘Craft in Churches’, Lincoln Cathedral. &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 1994 ‘Art Within Landscape’, Cirencester, Gloucestershire. 1993 ‘Contemporary Crafts’, Group Show, Applied Art Museum, Tallinn, Estonia. 1992 ‘Hand Made’. One year touring exhibition around Suffolk libraries. 1991 ‘Traveled Books’ inclusion within a show of works by book artist Les Bicknell, Scunthorpe Museum and Art Gallery and Leicester City Art Gallery. 1990 Lincolnshire and Humberside Arts Group show, Lincolnshire College of Art. 1989 Regional Craft show, touring three venues throughout the Rheinland - 90 Pfalz, Germany. 1998 Posterngate Gallery, Hull, East Yorkshire. 1986 ‘Craftscase’&nbsp;Artsite, Bath, One person show. &nbsp; &nbsp; &nbsp;&nbsp; 1986&nbsp;‘Cold Glass Techniques’ South Bank Crafts Centre, London. 1986&nbsp;‘Stained Glass and the Contemporary Interior’ BSMGP,&nbsp; Sanderson Gallery, London. &nbsp; &nbsp;&nbsp;&nbsp; &nbsp; 1986&nbsp;Glass, Usher Gallery, Lincoln. 1985 ‘Church and the Creative Artist’&nbsp;Group Show. Lincolnshire College of Art., Lincoln Cathedral. Productions 2010 ‘Lens’ vimeo.com/209585452008— 2010&nbsp;Radio interview broadcast BBC Plymouth 2002 ‘This is England’ CD. Interview on the subject of stained glass. One voice productions. 2002&nbsp;Masham North Yorkshire. Millennium window project and installation video.&nbsp; Ace Films, London.Contact: Professional Bodies 2017-present. Serving as stained glass advisor on the Truro Diocesan Committee 2010-present. Elected Fellow of the British Society of Master Glass Painters (BSMGP) Courses &amp; Training 2007 Selected artist ,Bullseye Glass Forum. Northlands, Scotland. 2004 Workshop with Paul Mason, sculpture and John Holden, painter. Fermynwoods, Northamptonshire. 2004&nbsp;Masterclass at Northlands Creative Glass with glass artist Richard Whiteley. 2003 Screen printing on ceramics and glass. University of the West of England. https://glenncarterglass.com/Footer Sat, 30 May 2020 15:56:00 +0000 Glenn Carter Glass https://glenncarterglass.com/Footer GLENNCARTERGLASS 2020 https://glenncarterglass.com/Running-on-Cargo Sat, 30 May 2020 15:56:01 +0000 Glenn Carter Glass https://glenncarterglass.com/Running-on-Cargo Running on Cargo